Iron oxide red has been around for centuries—ancient cave paintings, Roman pottery, and the iconic facades of Mediterranean houses all owe something to its earthy hue. People dug it straight from the ground or roasted iron-rich clays, not really worrying about purity so much as finding that distinctive red. The Industrial Revolution changed that game, bringing chemical processes that pumped out brighter and more consistent pigment. Iron oxide red started showing up everywhere—brick making, paints, cosmetics, ceramics—because it was cheap, stable, and safe to work with, unlike many of the toxic pigments of the day. Chemists refined the process, found better ways to control particle size, color intensity, and began documenting everything so buyers knew exactly what they were getting. That kind of history matters because many products we buy today—those red paving stones or outdoor paints—carry the weight of a pigment that's stood the test of time.
You spot iron oxide red as a dry, fine powder—sometimes called ferric oxide. Its color ranges from burnt orange to deep scarlet, depending on particle size and how it was made. Producers offer it in big bags or smaller containers, labeled by color index and strength. Beyond industrial standards, some companies pitch versions designed for art supplies or body products, betting on its good record for safety. In daily life, you're more likely to come across iron oxide red than you realize—on roads, in construction, inside your kid's box of crayons, or blended into the brickwork of local buildings.
The chemical formula Fe2O3 hardly hints at the pigment’s stubbornness. It won’t react with most acids or bases, doesn't dissolve in water, and stays put under the sun or in rough weather. That kind of stability draws manufacturers because you need colorants that won’t fade on painted buildings or in rubber that faces the elements. Iron oxide red carries a density of about 5.24 g/cm³. Its melting point—1,565°C—puts it out of reach of most everyday processes, so fire or weather won’t shift its shade. On a finer level, particle shape and size tighten up its color—a lesson learned after years of pigment development, because those things affect how reds look and behave in different products.
Technical sheets for iron oxide red usually focus on purity, oil absorption, tint strength, and residue after sieving. Buyers want to see Color Index numbers (Pigment Red 101, for example), particle size distribution, moisture content, and whether heavy metals like lead or cadmium sneak in during manufacturing. Reputable suppliers list chemical composition, batch numbers, and recommended storage conditions. Customers expect clear reference to compliance with standards such as ASTM D3722 (for colored pigments in concrete) or EN 12878 (for pigment use in building materials). That level of detail gives downstream users—paint makers, plastics molders, tile producers—a way to predict how a batch will fit into their process and helps avoid nasty surprises from contaminated or inconsistent pigment.
Iron oxide red gets made by two main paths: natural mining followed by simple grinding, or synthetic manufacture using processes like the “precipitation” or “calcination” method. Mine sources have the benefit of lower costs, but producers sometimes find themselves tweaking blends to hit that clean red. The synthetic route offers more control. For precipitation, chemists mix iron salts with alkali and air, letting iron oxidize on purpose, filtering and drying the resulting red powder. The calcination route starts with iron (II) sulfate, heated in the presence of oxygen, turning it into bright red iron oxide. These controlled environments reduce unwanted impurities and give a steady supply, which matters to anyone running a large production line that can’t stop for inconsistent color.
Iron oxide red resists most reactions, but things get interesting around strong reducing agents or high heats. It can transform to magnetite (Fe3O4) if heated without enough air, or revert to metallic iron under hydrogen. For pigment producers, minor tweaks add real value—coating with silicates or combining with other oxides to adjust dispersibility, color shade, or compatibility with plastics and rubbers. Modifications might also improve weather resistance for paints or cut down dust in powder handling. Knowing how it changes in certain environments helps both product designers and users avoid failures, like unexpected color shifts in concrete or paints.
Across countries and industries, iron oxide red crops up under many names: “ferric oxide red,” “Pigment Red 101,” “red hematite,” “rouge,” or just “oxide red pigment.” European suppliers sometimes call it “E172” in the food and pharma sector—though use there leans heavily on regulatory approval. You find commercial brands stamped with product codes, promising everything from “extra-fine” to “super-saturated”—marketing speak riding the solid reputation of a basic, reliable pigment. The many synonyms reflect its deep history and the broad reach across trades and crafts.
Health and safety records for iron oxide red generally stay positive, which sits well with anyone who’s handled more toxic colors. Still, long-term exposure to fine airborne dust should be limited—it can irritate lungs if not controlled, especially in factory settings. Workplace rules recommend dust masks, gloves, and eye protection during bagging, mixing, or blend operations. Major codes like OSHA and EU REACH classify it as essentially inert, but standards like NIOSH REL (Recommended Exposure Limit) help employers decide on local ventilation and personal protective equipment. Knowing where the line is drawn between benign use and long-term risk matters, particularly as applications extend into cosmetics or artists’ supplies, where sensitive groups—kids, asthmatics, or makeup users—expect manufacturers to keep them safe.
You spot iron oxide red every day: on clay roof tiles, road markings, indoor and outdoor paints, colored concrete, yard bricks, and even in some medicines and cosmetics. In construction, it dyes cements or decorative mortars; in paints, it’s chosen for UV resistance and color stability. Rubber and plastics industries use it to boost weathering resistance, while art supplies draw on its earthiness. Recent years saw the pigment branch into ceramics, as both colorant and glaze material. Iron oxide red’s trust factor—depth of color, non-toxicity, resilience—puts it in demand even as newer synthetic dyes hit the market. Real-world experience tells us builders, engineers, and artists reach for this pigment because it delivers results with none of the headaches that come from hazardous chemicals or unstable colors.
Recent research digs into making iron oxide red more efficient, with less environmental impact. Process engineers hunt for cleaner ways to reclaim iron from industrial waste like mill scale or acid mine drainage. Some labs work on nanostructured particles, hoping to open up new applications in magnetic storage, catalysis, or high-performance coatings. Improvements in milling and dispersion have direct payoffs—a finer particle means smoother paints and denser, brighter plastics. Modern R&D isn’t content to accept “good enough”; instead, it pushes for less energy use, higher yields, safer handling, and eco-friendly extraction. Universities and industrial labs both see value in tuning surface chemistry, which translates into better adhesion and more stable blends for users across industries.
Extensive animal and human studies back up the reputation of iron oxide red as a low-toxicity pigment. It doesn’t get absorbed through skin or lungs in any dangerous amount, and regulatory bodies clear it for use in cosmetics and food at specified levels. Chronic exposure to dust in poorly ventilated spaces has led to reports of mild lung irritation and, in rare cases, benign pneumoconiosis—mostly in occupational settings where dust management gets overlooked. Acute toxicity data show iron oxide red stands far safer than heavy metal pigments, and it doesn’t accumulate in the body. Researchers remain vigilant, measuring nanoparticle behavior and monitoring long-term workers’ health, signaling the importance of setting exposure limits and keeping factory protocols updated.
Iron oxide red faces pressure from rapidly evolving materials technology, yet its staying power looks strong. Manufacturers innovate by increasing production efficiency, seeking cleaner synthesis, and targeting specialty grades for high-value markets. As green building grows, demand for non-toxic, natural-looking pigments should climb. Environmental standards push producers to close the loop on waste and reduce emissions, and digital advances in color-matching let buyers get precise, reproducible reds. New coatings, plastics, and composites continue to add iron oxide red for both color and functional roles, promising another round of growth. The field remains broad enough that both old-school pigment plants and high-tech materials labs see a place for this enduring chemical—carrying lessons learned from centuries of practical use into tomorrow’s products.
Anyone who has worked with paint knows that one red seems much like another until it lands on a wall, in concrete, or settles into the grain of red brick. Iron oxide red shows up everywhere. From my own experience helping my father repaint our old fence, the color doesn’t just cover; it shields the wood, lending both character and durability.
This pigment isn’t just about good looks. Iron oxide red offers a color that doesn’t fade fast under sunlight. That sort of steadfastness matters for building materials exposed to every kind of weather. Construction crews add it to concrete, mortar, and paving stones. Walk through any city and count the red pathways, garden tiles, or bricks. The shade comes from iron molecules oxidized over time or through controlled processes, producing a pigment that holds its brightness longer than many alternatives.
Painters and manufacturers lean on iron oxide red because it forms a barrier to rust and decay. Out in rural areas, farmers coat their barns with it, not only to keep up appearances but to help metal roofs and siding stand against the rain and snow. Industrial users choose this pigment for steel beams, machinery, and storage tanks. It brings more to the table than mere color: it adds an extra layer of practical protection.
Few realize how often iron oxide red appears in daily life. The pigment finds its way into plastics, rubber goods, and even cosmetics. Cosmetics need strictly controlled ingredients, so only high-purity grades go into blushes, powders, or lipsticks. This red comes from a known source and gets tested for safety. Safe colorants in personal products matter, especially for those with allergies or sensitive skin.
This pigment links new technology and tradition. Ancient painted pottery and cave art carried iron oxide red, and yet the pigment fits modern green building trends, too. It’s non-toxic and plentiful. Unlike synthetic dyes with harsh byproducts, iron oxide red gets made with the environment in mind. Producers have improved their techniques over decades, using recycling and tighter controls, so waste runs lower now than in the past.
Investing in safe, durable pigments delivers more than product shelf life. It supports public health and reduces maintenance costs for everyone. Back in school, our chemistry teacher described how pigment choices shaped food safety laws, paint regulations, and city codes. Toxic lead and cadmium colors faded out, but iron oxide stayed in demand. There’s no hidden catch with this pigment; it earns trust through performance and safety.
Demand for colored concrete, long-lasting paints, and eco-friendly pigments keeps climbing, especially with urbanization and renovation booming worldwide. Factories have tweaked manufacturing lines so waste gets reused, and energy consumption stays reasonable. Consumers drive better practices, too, by asking questions and preferring goods that last longer and don’t leach toxins.
Concrete companies can double down on lower-temperature processing, which reduces carbon emissions. Paint suppliers can offer clearer labels about pigment origins and safety. Projects I’ve seen flourish when builders and artists think beyond today and plan for a world still worth seeing in rich, real color.
Iron oxide red is that deep, earthy pigment you find in a lot of beauty products. It's the shade some lipsticks, blushes, and even eyeshadows rely on for a natural look. Whenever I tried to find a more “natural” makeup product, I noticed iron oxides on the ingredient list. Manufacturers turn to it because it brings strong color without using synthetic dyes. Iron oxide is actually just rust — the same stuff that forms on metal fences after a rain.
Unlike some colorants, iron oxides don’t dissolve in water and don’t tend to be absorbed through healthy skin. That’s part of the reason cosmetic chemists like them. And the FDA has signed off on its use for a long time. In the United States, iron oxides used in cosmetics must come from synthetic production. Older, naturally mined iron oxides sometimes came mixed with heavy metals. Synthetics don’t carry that risk.
The Environmental Working Group rates iron oxides pretty low for toxicity. There’s been little evidence over the years pointing toward long-term skin irritation or cancer risks. Iron oxides stay on the surface of the skin—they give color, but don’t sneak in. That matters to people worried about chemicals "building up" inside the body. Application to lips and cheeks has not proven unsafe in major studies; allergic reactions rarely pop up. Dermatologists recommend them for people looking to avoid harsher dyes or people with sensitive skin. In my own experience as someone with patchy rosacea, the gentler iron oxides showed up in almost every product my dermatologist suggested.
Of course, nothing goes unchecked. If you buy cosmetics from unreliable sources, there’s always a chance of fake or contaminated pigments. Some products imported without regulation haven’t seen much oversight. I’ve seen cases online of homemade makeup containing rusty clay or iron powder from questionable suppliers. Poor processing can introduce heavy metals or bacteria. So the risk doesn’t really come from approved, cosmetic-grade iron oxides. It comes from untested, unsupervised versions. Consumers looking for safety need to read labels, stick to tested brands, and, if there’s a rash or swelling, quit using the product right away.
Everyone wants makeup to look good and feel safe. For anyone worried about iron oxides or allergic reactions, sampling a product on a small patch of skin might help weed out trouble. Shopping for brands with transparent ingredient lists and safety certifications gives peace of mind too. If the packaging shows odd claims or you can’t trace the product’s manufacturer, it’s smart to skip it. I always try to look up a new brand’s recall history and check for third-party safety seals. For people who like DIY, learning where ingredients come from is key — using pigment powders intended only for cosmetics and never art supplies or raw minerals brings down the risk.
In the world of makeup, iron oxide red stands out as a colorant that delivers vibrant shades without the mess of untested synthetics or allergens. People deserve to know what they’re putting on their skin. Clear labeling and honest marketing let everyone make informed choices. With iron oxide red, the science backs up what many of us see in practice: safe, beautiful color, as long as the source remains trusted.
Iron oxide red turns up almost everywhere. From the paint on a city bus to sidewalk bricks and garden pots, it’s been relied on for decades. Its strong, earthy color brings an unmistakable look that artists, architects, and manufacturers keep coming back to again and again. My own memories of building models as a kid usually include that distinct deep red smudge on my hands that never rinsed off right away. The stuff is persistent—never flashy, always steady.
Iron oxide red holds up against weather, sunlight, and general wear. Paint producers love that it won’t fade fast when sunlight beats down day after day. With a chemical makeup mainly of ferric oxide (Fe2O3), it resists water. This means colors stay strong instead of bleeding out with the first splash of rain. For anyone trying to ensure a mural, façade, or paving stone keeps its character, this counts for a lot.
The pigment covers really well. Only a small amount mixed in with binders does the trick, which means less product goes further and projects become more affordable. Consistency matters—a shade that can shift with each batch leaves designers stuck, so this reliability helps keep both home renovators and professional crews loyal.
Iron oxide red doesn’t just show up because it’s cheap or good-looking. It’s also considered safe. There’s no cloud of toxic dust floating up during mixing, and since it's used in cosmetics and even tattoo inks, regulatory agencies keep a sharp eye on its impact. Compared to pigments loaded with heavy metals, iron oxide wins the safety debate every time. A few decades back, risks from lead in paints led to stricter rules—iron oxide red became the go-to replacement. Its presence in playground equipment, bike paths, and inside homes gives parents and workers some peace of mind.
Nature lends an extra hand. Iron oxide red doesn’t demand rare minerals or complex chemical byproducts. Many manufacturers use recycled iron and scrap, which keeps waste down. Unlike petrochemical colorants, its production comes with a lower environmental cost.
There’s always something to fix. Iron oxide red can feel gritty compared to synthetic dyes. Extremely smooth finishes can be tricky because the particles don’t dissolve—they suspend. In high-end automotive jobs or ultra-fine coatings, manufacturers sometimes combine it with other pigments or use extra processing to keep surfaces flawless.
Another kink shows up when trying to reach the brightest shades. Iron oxide red stays bold and earthy, but if a project calls for vibrant, fluorescent color, it falls short. Paint labs keep experimenting, hoping to give iron oxide more range without losing its toughness. Sometimes, the answer means blending a pinch of synthetic color in with the natural base.
For people working with coatings or construction, picking materials with long track records usually works out better than chasing the latest trend. Iron oxide red doesn’t promise drama—just practicality, safety, durability, and an unmistakable look. If the industry pushes for greener production and smoother textures, it could overshadow less stable or more hazardous colors for years to come.
Iron oxides show up everywhere, from brick factories to art studios. You see them in paint cans, building sites, and the powder on rusty tools. They can be red, yellow, black, or brown. Iron Oxide Red usually refers to a specific compound—ferric oxide, or Fe2O3. It’s not just another version of rust. The color matters, but so does the chemistry.
Iron Oxide Red gets its color from iron in the +3 oxidation state. This gives it a deep, consistent red. A handful of dirt you scoop from the ground doesn’t always have this intensity. Making Iron Oxide Red involves precise temperature control. Makers heat iron compounds or control aerobic reactions to tip the balance toward Fe2O3, pushing away the yellows and browns found in hydrated or mixed forms.
Iron Oxide Yellow (goethite, FeO(OH)) crops up in clay and ochre. Its natural water content changes not only how it looks but also how it works in paint or concrete. Yellow shifts to red if you roast it above 150°C, driving off water and flipping the chemistry. Black iron oxide (magnetite, Fe3O4) contains both +2 and +3 iron. It has a completely different vibe—think duller, almost metallic black, not the warm pop of red iron oxide. These are real differences, born from their mineral origins.
Some of my earliest memories involve watching workers mix red powder into cement for bricks. Red iron oxide outlasted rain, heat, and time. It resists UV rays and won’t fade quickly. Yellow and black iron oxides don’t hold up as well in every outdoor application. Red clay roofs and sports courts keep their look longer, because Fe2O3 doesn’t break down the same way as other iron compounds. Its particles pack densely, giving strong color even at low dosages. Black iron oxide gets used in magnetic tape and toner, because it’s conductive—something red can’t match.
Red iron oxide is non-toxic, so artists, builders, and manufacturers use it in kids’ toys, cosmetics, and medicines. Synthetic red feels different from the natural form. Lab-made Fe2O3 avoids heavy metal contamination found in some natural ochres. That encourages trust: a big topic in public health. Companies can trace their batches. Other iron oxides, especially those dug straight from the earth, sometimes bring along unsafe metals. Several studies recommend red iron oxide for eco-friendly concrete and brick production because it stabilizes color without dangerous byproducts.
Sourcing pure red iron oxide sometimes costs more than grinding up rock. Factory processes burn energy and generate waste if left unchecked. There’s room to bring down emissions by recycling scrap iron or using cleaner synthesis. Also, red iron oxide’s iron content affects concrete’s strength if overused. Workers need clear guidelines, especially in construction. Mixing the right way saves time and raw materials, something every site manager values. It pays off to provide training and enforce quality standards.
People keep looking for natural, affordable, and safe colorants. Red iron oxide keeps turning up as the favorite for outdoor surfaces, terracotta, and paints. Research groups are testing greener methods, including bacteria that create iron oxides from waste. As building codes and consumer preferences change, red iron oxide’s chemistry and safety record set it apart from yellow and black forms. It’s a story of using science to solve daily challenges—like building lasting colors into the spaces where we work and live.
Most people walk right across iron oxide red every day without thinking twice. Concrete blocks, bricks, and paving stones usually owe their earthy red shades to this pigment. In my years working construction side jobs, I watched workers pour bags of red powder into concrete mixers. This turned pale gray concrete into something closer to brick or rust. Beyond color, an iron-based pigment doesn’t break down like organic dyes, so outdoor walkways and city plazas keep their look through years of rain and sun.
Paint manufacturers pull from the same barrel. Iron oxide red gives barn paint its deep shade and helps industrial primers protect steel. Steel rusts, but oddly enough, this pigment shields it by forming a tough barrier that fights off moisture and UV. The pigment goes far—up to 15% of exterior paint formulas count on it.
Every time I see a plastic planter or a red trash bin, I think about industrial coloring. Iron oxide red stands out among plastic pigments for one big reason—heat resistance. Many dyes fade or break down once those molds run hot, but iron oxide red keeps showing up strong, even after years under the sun.
Colored plastics in playgrounds, electrical enclosures, and containers usually lean on this pigment, because it’s nontoxic, stable, and doesn’t leach anything dangerous. Plastics manufacturers depend on that reliability for consumer safety and compliance.
Most folks recognize terracotta pots by their signature red-brown look. That color comes straight from iron oxide. Ceramic tile companies rely heavily on this pigment, both in glazes and as a body colorant, to give tiles a range of natural reds and browns. In my college ceramics class, just a pinch of iron oxide powder transformed dull clay into rich, warm shades after firing. The pigment holds up at kiln temperatures, which also keeps it popular with artisans and industry alike.
Walk into a pharmacy, and you’ll spot iron oxide red again. Many tablets, especially coated ones, use this pigment in their color layers. It carries a safety record that’s time-tested, so pharmaceutical firms use it both to add color for brand recognition and to help keep light from degrading sensitive ingredients. Food manufacturers have similar needs—certain processed meats and cheeses often contain iron oxide red, since it’s approved as a food-grade colorant in many countries.
Iron oxide red also finds work in rubber goods, from car tires to shoe soles. The pigment offers tough resistance to sun and aging, keeping products looking sharp even after years of wear. Cosmeticians trust it as well. That pink and red foundation or lipstick probably owes much of its shade to iron oxide pigments, which stand up against sweat and sebum without irritating sensitive skin.
Iron oxide red gives industry a pigment that’s affordable, flame-resistant, and safe for human contact. That track record earns it a spot across some of the world’s most visible—and invisible—products.
| Names | |
| Preferred IUPAC name | iron(III) oxide |
| Other names |
Ferric Oxide Red Iron Oxide Iron(III) Oxide Fe2O3 Pigment Red 101 Colcothar Rouge |
| Pronunciation | /ˈaɪ.ərn ˈɒk.saɪd rɛd/ |
| Preferred IUPAC name | Iron(III) oxide |
| Other names |
C.I. Pigment Red 101 Red Iron Oxide Ferric Oxide Fe2O3 Hematite |
| Pronunciation | /ˌaɪərn ɒkˈsaɪd rɛd/ |
| Identifiers | |
| CAS Number | 1309-37-1 |
| Beilstein Reference | Brd7869862 |
| ChEBI | CHEBI:50847 |
| ChEMBL | CHEMBL1201740 |
| ChemSpider | 20728849 |
| DrugBank | DB09444 |
| ECHA InfoCard | ECHA InfoCard: 100.030.850 |
| EC Number | 215-168-2 |
| Gmelin Reference | 668 |
| KEGG | C14557 |
| MeSH | D015539 |
| PubChem CID | 518696 |
| RTECS number | NO4565500 |
| UNII | FF2P7931JP |
| UN number | UN3077 |
| CAS Number | 1309-37-1 |
| Beilstein Reference | 16525 |
| ChEBI | CHEBI:50846 |
| ChEMBL | CHEMBL1201533 |
| ChemSpider | 21842054 |
| DrugBank | DB11141 |
| ECHA InfoCard | 100.030.304 |
| EC Number | 215-168-2 |
| Gmelin Reference | 68255 |
| KEGG | C16535 |
| MeSH | D015403 |
| PubChem CID | 518696 |
| RTECS number | NT0779780 |
| UNII | FYM43VV5CO |
| UN number | UN3077 |
| Properties | |
| Chemical formula | Fe2O3 |
| Molar mass | 159.69 g/mol |
| Appearance | Red powder |
| Odor | Odorless |
| Density | 5.0 g/cm³ |
| Solubility in water | Insoluble |
| log P | 2.18 |
| Vapor pressure | Negligible |
| Basicity (pKb) | 11.74 |
| Magnetic susceptibility (χ) | +2.7×10⁻³ |
| Refractive index (nD) | 2.5 |
| Viscosity | 12-20 Pa·s |
| Dipole moment | 0 D |
| Chemical formula | Fe2O3 |
| Molar mass | 159.69 g/mol |
| Appearance | Reddish-brown powder |
| Odor | Odorless |
| Density | 5.0 g/cm³ |
| Solubility in water | Insoluble in water |
| log P | 2.18 |
| Vapor pressure | Negligible |
| Basicity (pKb) | 11.74 |
| Magnetic susceptibility (χ) | 1200 × 10⁻⁶ emu/g |
| Refractive index (nD) | 2.5 |
| Viscosity | 1200-1500 mPa·s |
| Dipole moment | 0 D |
| Thermochemistry | |
| Std molar entropy (S⦵298) | 87.4 J·mol⁻¹·K⁻¹ |
| Std enthalpy of formation (ΔfH⦵298) | -824.2 kJ/mol |
| Std enthalpy of combustion (ΔcH⦵298) | -824.2 kJ/mol |
| Std molar entropy (S⦵298) | 87.4 J·mol⁻¹·K⁻¹ |
| Std enthalpy of formation (ΔfH⦵298) | −824.2 kJ/mol |
| Std enthalpy of combustion (ΔcH⦵298) | –824 kJ/mol |
| Pharmacology | |
| ATC code | V09XA02 |
| ATC code | V04CM01 |
| Hazards | |
| Main hazards | May cause respiratory irritation. Causes serious eye irritation. Causes skin irritation. |
| GHS labelling | GHS02, GHS07 |
| Pictograms | GHS07,GHS08 |
| Signal word | Warning |
| Hazard statements | Hazard statements: H315, H319, H335 |
| Precautionary statements | P264, P280, P302+P352, P305+P351+P338, P337+P313 |
| NFPA 704 (fire diamond) | Health: 1, Flammability: 0, Instability: 0, Special: - |
| Autoignition temperature | > 1021°C (1870°F) |
| Lethal dose or concentration | LD50 (Oral, Rat): > 5000 mg/kg |
| LD50 (median dose) | > 5000 mg/kg (Rat, oral) |
| NIOSH | NT0293000 |
| PEL (Permissible) | 5 mg/m3 |
| REL (Recommended) | 10 mg/m³ |
| IDLH (Immediate danger) | 2500 mg Fe/m³ |
| Main hazards | May cause respiratory irritation. Causes serious eye irritation. May cause cancer by inhalation. |
| GHS labelling | GHS07, GHS08 |
| Pictograms | GHS07,GHS08 |
| Signal word | Warning |
| Hazard statements | H319: Causes serious eye irritation. |
| Precautionary statements | P264, P280, P302+P352, P305+P351+P338, P332+P313, P337+P313, P362+P364 |
| NFPA 704 (fire diamond) | Health: 1, Flammability: 0, Instability: 0, Special: - |
| Lethal dose or concentration | LD50 oral rat > 5000 mg/kg |
| LD50 (median dose) | LD50 (median dose): > 5000 mg/kg (oral, rat) |
| NIOSH | NIOSH: NM2100000 |
| PEL (Permissible) | 5 mg/m3 |
| REL (Recommended) | 680 mg/m³ |
| IDLH (Immediate danger) | 2500 mg Fe/m³ |
| Related compounds | |
| Related compounds |
Iron(III) oxide Iron(II,III) oxide Iron(II) oxide Iron oxide yellow Iron oxide black |
| Related compounds |
Iron(III) oxide Iron(II,III) oxide Iron(II) oxide Hematite Magnetite Rust |